Last Friday (May 3rd) I eagerly attended the premiere screening of the much-anticipated Iron Man 3. I thoroughly enjoyed the first Iron Man film, and hoped that this newest film would fix the mistakes made in the dismal second installment.
Hopes = dashed. Mood Afterward = sighing in disappointment.
Warning: Some Iron Man 3 spoilers will follow (although, most of what I'll "spoil" was highly predictable).
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If nothing else, this is a pretty sweet poster. |
3 started off fairly strong, I thought, delving into the aftermath of The Avengers and Tony's ongoing struggle to deal with his actions in relation to the massive attack on New York City. It also set up the villain (Aldrich Killian, played by Guy Pierce) nicely -- a young, enthusiastic and ambitious researcher who calls on Tony for aide and funding, wanting to be taken under the wing of Stark Industries so as to further his promising research. Tony -- in a very Stark-y fashion -- leads Killian on, eventually leaving him on top of the roof of the hotel they met in, alone and cold. Hence Killian's motive.
Another conflict established early was the ever-expanding rift between Tony and Pepper Potts -- Tony's girlfriend / uber-assistant, played by Gwyneth Paltrow. Tony's clear obsession over his Iron Man tinkering stands as the catalyst of the rift growth, and I think right then we all knew where that arc would end...
At this point, however, the film had me salivating. I thought Killian would prove to be a powerful and scientific villain that tests Tony's brain as much as his brawn. I also thought Tony's pseudo-PTSD psyche would complicate things even further, developing Tony along the way. Again, so wrong.
Later on, Killian approaches Pepper at Stark Industries headquarters, hoping (once again) to gain an alliance with Stark and "team-up" to make significant, revolutionary advancements in genetic engineering. During his pitch, Killian throws around biochem buzzwords like "DNA enhancement" and cliche notions like "human perfection." Pepper, however, sees Killian's promising work as dangerous, potentially weaponizable, which contradicts the vow made by Stark in the first Iron Man -- that he would never again fund research into weapons. Consequently, Pepper shuts the door on Killian, forcing him to resort the dastardly Plan B.
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Killian (Pierce) showing Pepper (Paltrow) his cool brain hologram during his pitch. |
The science is never explained further, never really even mentioned again. Instead, we, the audience, are expected to accept that the science is solid and that Killian has succeeded in creating (somewhat by accident) these genetically enhanced super soldiers, (bewilderingly) capable of producing intense heat with their bodies, akin to the Human Torch of The Fantastic Four. Killian could also induce some sort of overreaction that caused these thermal humans to explode in a heap of flame and super-heat.
This made absolutely no sense to me.
So let's say Killian does succeed in altering people's DNA, enhancing their genes, making them regenerative, practically invulnerable. Okay, that makes some sense. Feasibly DNA could be altered so that cells respond to injury / laceration / maiming, and starting dividing and differentiating -- using organic material such as Carbon, Hydrogen, Oxygen, Nitrogen, etc. -- at crazy fast rates, eventually restoring the body to normal, healthy conditions. Fine, I can get behind that, solid science fiction.
But these "alterations" Killian discovered are anything but natural, leaving me baffled. If he did rewrite their genetic code, their DNA would still prompt their cells to work with those same organic, natural elements, making the superhumans' completely unnatural ability to produce intense heat / energy, seemingly out of nowhere, an utter enigma that doesn't have a lick of rationality to it -- other than the "wow, this is really cool" factor. If you're gonna do science, bros, do it right and don't get lazy. The science in Iron Man 3 is so glossed over it's practically magic. I understand this is a science-fiction film, but any good sci-fi has a good explanation for their fictional science. Iron Man 3 did not. Plus, the whole "genetic engineering"/ "scientific pursuit of human perfection" as the goal for a villain is getting old. If you plan on including this, please don't just throw it in there because it's relatable, understandable and tangible to the audience; explain the science and / or put a unique spin on it. Killian's motivation for researching eugenics / regeneration spawns from his (presumed) MS that he initially has but overcomes with his work. This was gimmicky and cheap, and not nearly sufficient to explain Killian's later antics.
That wasn't my only complaint. Another element that the director equally glossed over was Tony's anxiety disorder, accompanied by panic attacks. The reasonably justified attacks promised an added layer of complexity to Tony's already interesting character. Whenever Tony has one of these attacks, he tries to play it off as a joke -- which I enjoyed -- but the attacks would always subside without truly affecting Tony. He would make some quip, take some deep breaths, and it would be over. It also made it seem like these anxiety disorders are just "in our heads" and we have control over how much they affect us, but in truth, one does not simply stop having panic attacks. This misprotrayal of anxiety disorders, coupled with the most minuscule of conflict it actually added to Tony's character, cause the whole idea to fall flat.
In the end, using an also-interesting secondary character -- a young, inventive, fatherless boy named Harley -- the director essentially says, "Hey look, everyone, Tony's over it now! So we'll just stop talking about that." Tony's shallow panic attacks did little else than slightly complicate the plot and did (in my opinion) nothing to further Tony's character. Instead, he all of a sudden gets over his disorder and returns to the normal, witty, sardonic Stark he is. Sad.
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Harley, played by Ty Simpkins, sits on the left, looking up at Tony. These two were responsible for some of the funniest exchanges of the film. I wish the film had had more scenes of them together. |
And don't get me wrong, the frame-by-frame, scene-by-scene writing was exceptional. Banter between Tony and Pepper, Tony and Harley, Tony and anyone really, was clever, funny, and natural-sounding. Top-notch stuff.
But the plot...
The plot tried so hard to be dramatic and involving that it came off as heavy-handed, riddled with cliches. The actions sequences pounded my pulse, the visuals entranced my eyes, but the actual story itself was so shallow and commercialized that by the end I couldn't help but roll my eyes. One could tell the film was aimed for the mass audiences that indeed flocked to see it (last I knew it had grossed over $800 million worldwide), and that left us with an overall empty experience.
It actually had a nice plot twist in the middle (that I won't spoil) but ultimately, the villain's motivation for his drastic, dramatic, bombastic actions (i.e., kidnapping and threatening to kill the president of the U.S.) is inadequately explained and left me scratching my head, saying "Why the heck is this guy doing all this?" The accompanying final turn of the film, in which Tony commits his love to Pepper by activating the self-destruct sequences of each of the 42 different Iron Man suits he had built over the years, thus ridding himself of his obsession and allowing him to focus on what's really important: love.
That would be like my girlfriend telling me to burn my Xbox, PS3, Wii, laptop, and all my games with them so I couldn't play games anymore and instead I'd focus all my attention on her. It just wouldn't happen.
This ending was so anti-heroic, so anti-Tony, that it left me walking out of the theater shaking my head in disbelief and disappointment. I've seen romantic comedies with less sappy endings. Plus, Pepper's temperament towards Tony and his hobby is completely unreasonable. If she really knows and loves Tony, she must understand how involved in his work he is, how much he enjoys tinkering. For her to ask so much of him and not try and work things out as a couple should made little sense to me and seemed to be inconsistent with Pepper's character. The writer / director missed an opportunity -- didn't really even create one -- for Pepper to grow and develop alongside Tony.
In summation Iron Man 3 illuminates a big problem I see with films nowadays: everything's striving to be bigger, badder, more visually striking than the last film, but they usually end up being these shallow experiences that do little to develop characters, challenge the audience mentally, and / or deliver a lasting impact on the moviegoers. Instead, we wade through these luxury kiddie pools, remarking on how crystal clean the water is, how perfect the temperature feels, how exquisite the fountain in the middle of the pool shines, how much your kids are enjoying themselves, but we do nothing but get our feet wet. It's pleasurable, it's definitely entertaining, but is it impactful? Not in the least.
If you want great examples of blockbuster superhero movies that do the exact opposite and offer experiences that both entertain and enlighten, check out Spider-man 2, The Dark Knight, and even The Matrix. All great films that do superheroes right.
Here's to hoping Man of Steel (the new Superman film) and Thor: The Dark World (sequel to Thor) exceed where Iron Man 3 failed.
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"Should have had Sam Raimi direct this," he thinks. |